My current landscapes are based on my own photographs of the urban spaces I traverse every day.  In these paintings, I strip the urban landscapes of their man-made objects, using the white negative space to analyze our fractured relationship with the terrain. By painting only what is natural with materials that are equally so, I highlight how the built environment distorts our perception of the natural world. This work serves as a silent argument against the capitalist disconnection from nature, and we can see this disconnection played out in how we divide and disrupt land, water and sky.